curious, not creepy.


homestretch.
December 2, 2009, 9:33 am
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i would really love it if everyone could come to my final art show as a student. it’s gonna be pretty awesome, in a rad new space owned by johnny, with delicious FREE food donated by spotlight grill, and live music by tamara and the magic bean.

there will also be some pretty good art too, if you’re into that kind of thing.



it gets me every time.
October 15, 2009, 4:24 am
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i cry a lot. but it’s very rarely because i’m sad about something. usually it happens when i’m extremely happy or think that something is incredibly beautiful. things that could be considered silly like a sunset or hearing a song come on the radio will make me tear up.

case and point, this song –

every single time i hear it, it makes me cry. i remember hearing it for the first time in my dads car when i was really little and it made me cry. i dunno what it is exactly, but it gets me every time.



You don’t look different, but you have changed.
October 5, 2009, 3:59 am
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i think this is pretty awesome.



october 2nd.
August 7, 2009, 8:57 pm
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who’s coming with me??



then and now.
July 1, 2009, 7:38 pm
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june 08.

june 09.

june 08.

june 09.

 

a year is a long time. and a lot can and does change. so how is it that we find ourselves in the same places and routines? does that much ever really change?



move over mlk.
June 26, 2009, 5:05 am
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there was a candle light vigil in the rose garden of reid park tonight in honor of michael jackson. we went to check it out and the whole time i had the same two thoughts running through my head. 

  1. how is it that we can rally for shit like this, but the stuff that actually matters we just sit on our asses and do nothing?
  2. these people are totally serious about this.

mj.

mj.

 

mj.

within the first 5 minutes of being there, we heard michael jackson get compared to the dali lama, louis farrakhan, and martin luther king. and apparently he had a greater affect on the world then any of them. why? because his music brought people together.

seriously?? how is he even on the same level as those guys??

i mean, yeah it sucks that he’s dead but personally i’m more bummed out about farrah fawcett. the burning bed was like my favorite movie when i was little. and as far as i know, he never had a lifetime movie…not yet anyways.

rip farrah fawcett



infernal noise.
June 8, 2009, 6:55 pm
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i learned about the Infernal Noise Brigade last summer and it really struck a chord with me then, and still does today. sometime last fall, the loft opened a film called battle in seattle. it deals with the protests happening in seattle on november 30th, 1999, the same time in which the INB was gearing up for its debut.  while watching the film, i kept thinking about the articles i read during this class. especially the one written by jennifer whitney since it hold a first hand account of the events that lead up to and took place on that day. the director made the very smart decision to incorporate real footage from protestors and news crews, and in the background you can see the INB marching but you can definitely hear them playing. it was a really great experience to see them on the screen, and see how they really motivated the crowd. you get that sense because of the readings as well as the powerpoint presentation, but to see it for longer then a few seconds makes it very clear and unarguable. 

 

the idea behind the Infernal Noise Brigade of being the dope propaganda is great. they are reclaiming public space and actually making them for the people. the street is their venue instead of being in some gallery or museum space. it makes it more accessible for the masses, and is also really the only setting that this could really take place. anywhere else would just be odd, since they are trying to break up the differences created between art, politics and everyday life. there shouldn’t be any kind of division between these things, because all of them happen daily and need one another to grow. 

 

this time around i found the second article, affective composition and aesthetics: on dissolving the audience and facilitating the mob, to be much more interesting then the one written by jennifer whitney. i think its because it focuses more on the principals of political art instead of a personal account of the event. not that that isn’t interesting as well, but this one feels more insightful then it did the last time i read it. 

 

what i found most interesting about this is the idea of performance and how it can be used in different ways. what the INB does is break down the barrier between performance and art by taking music off the stage and into the crowd. they are no longer on that pedestal, and there is no longer a focal point. instead, the crowd becomes the focal point and everyone there is involved with the action instead of passively watching, they’ve become apart of the experience. they have used the idea of the spectacle to their advantage, by doing these lively performances they draw attention the themselves and their message.  “In order for political speech to cause affective resonance, conditions must exist for the audience to be able to identify with the speaker as well as possess a capacity to affect and be affected.”  they help create this kind of environment.

 

Political art is political not just through its content, but also in the way in which it is designed to work with or against the conventional circulation of ideas, images, and relations. In other words, forms of street art are not subversive simply because of the fact that they occur in the street, but rather because they unfold relations that resist the over-coding operations of the art institution and commodity production.

 

i think that the INB uses this idea of political art beautifully, and can be seen just in the pure fact that they are a marching band. for many people, their first associations with the marching band comes from war time and its use to motivate solders. they have re-appropriated what a marching is and can by, by using to help revitalize those who are protesting. it is still used as a motivator, but the audience it is targeting is much different then what it used to be. also, the kinds of music they draw inspiration from is from across the world which creates a multicultural experience.  by using music styles from anywhere and everywhere, it is a way of connecting people and making them apart of something bigger.   

 

the Infernal Noise Brigade does an amazing job at incorporating the people around them into their performances. i love the idea of interrupting routine with music. but especially, i enjoy how much fun they all seem to be having. they want to provide energy for the crowd and do so not only through their music but the positive energy they exude.